Viewing the Emergent City and Its People


Progressive Geographies

bus-map-b-12-07-16At Territorial Masquerades, Teo Ballvé discusses this remarkable graphic of bus routes between West Jerusalem and Israeli West Bank settlements. I took the bus from Kiryat Arba on the outskirts of Hebron back to Jerusalem quite late one evening to the surprised looks of the driver and passengers.

This is one of several produced by Visualizing Palestine – Teo links to a few more in his post, but there are several that are worth a look. While many have political messages that are important, I was most struck by the cartography of the bus routes, and this second one on the typologies of roads within Israel, Gaza and the West Bank. Typologies of SeparationIt’s intended to demonstrate the way that different licence plates lead to different access rights, but it links to some of the work done by Eyal Weizman and others around the control of space in the West Bank, which is…

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Some nice color pictures of Paris at the turn of the century. I thought they might be useful for those of you that work on Paris, urban space, etc. Here is the link:  Paris 1900

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World map by Ranulf Higden, British Library

Recently, in my ongoing researching of maps, I discovered that before the 15th century, the word “map” did not exist. Instead, what today we consider to be maps were referred to in the centuries preceding the 15th, as “diagrams”. This makes a great deal of sense because cartographic accuracy was less important than the graphic depiction of spatial relationships between not only geographic features but between social, cultural and religious values and symbologies. During the Medieval period maps were produced to depict a particular event or occasion unlike our contemporary notion of a ‘generalised’ map of a territory. Medieval maps included written descriptions and were often accompanied by written itineraries on scrap pieces of parchment that often listed the successive places/sights along the route. These maps were narrative in nature, and combined history, memory and experience to diagram place. This format of mapping…

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Ric Stultz lives in Milwaukee, Wisconsin in a little house with his girlfriend and dog. Other than working in the studio his favorite activity is gardening.  Stultz days are mostly spent in the studio working on client projects and painting. The style of his illustrations are hand drawn images with bright colours and hard edge line work.
The artist prefers to create most of his work by hand and use the computer only for output and minor adjustments. Using traditional tools and techniques such as: paints, brushes, paper, ink, gesso, Adobe Illustrator and Photoshop .

A beautiful festival of geography, lines and colors painted with gouache & ink on paper.


“Men read maps better than women because only men can understand the concept of an inch equaling a hundred miles.” Roseanne Barr

Manimal Portraits
Fallout of Urban
Photo and Illustration
A slap in the face

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What we hear when we see? Do we think we understand?


Kim Dingle, Maps of the U.S. Drawn from Memory by Las Vegas Teenagers, 1990

Do maps create or represent reality? And what is the reality that they purport to either create or represent? Is reality truth or is it perception? And, how much does perception affect what one knows to be the truth? Is a map a figment of the imagination? Do maps lie or do they make the truth visible? A mental map is map that describes an individual’s own internal map of their knowable world. It may be local (as local as the area inside a house), regional, national or international.  Mental maps draw upon a person’s memory and their point of view. They are not practical; they simply show a cartographer’s perceptions of their surroundings and the way they live in and move through physical and psychic space. Therefore, mental maps are personal and idiosyncratic and are…

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Paris: People, Places and Bling

By Theadora Brack

Open-air market shopping in Paris can look pretty intimidating, even to a shopping fanatic like myself. In fact, I used to stick instead to the safe predictability of the supermarché aisles.

But I’ve changed! I have seen tomates, aubergines, and haricots verts in a natural light, and I’m not going back to fluorescent. So to help out, here are a few tips. Grab your list and shopping bag. Let’s hit the stalls!

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