Last year inm id-July we took an epic European trip, from Cape Town we flew via Dubai and we visited relatives in the suburbs of Lyon, shopped for Spanish shoes one day in the main centre and visited their weekend farmhouse in the French countryside, went with them to walk in thee Cinque Terre, visited Venice for the Architectural Bienniale, then off to Athens and by bus down to the Ionian islands to spend two weeks on a yacht with a friend and visit the small costal towns. In all of these places the sad decline of the once vibrant countryside and towns was mirrored by the tourist dominated local commerce, big shopping at Carrefour and every big name brand in the giant tourist mall that is Venice now.
This article from the New Yorker,sadly echoes our experience in the outlying rural and small towns of Europe, very little is left baring old people and the endless stream of tourists:
As France’s Towns Wither, Fears of a Decline in ‘Frenchness”
Albi, an hour northeast of Toulouse, is among a growing number of French towns encountering commercial decline. Credit Dmitry Kostyukov for The New York Times
ALBI, France — The paint is fading, but the word is still clear: Alimentation, “Groceries.” It seems like a stage prop, grafted above the window of the empty old storefront. Opposite stands a tattoo parlor. Nobody enters or leaves. The street is deserted.
Keep walking, and you’ll find more vacant storefronts, scattered around the old center of this town dominated by its imposing 13th-century brick cathedral, one of France’s undisputed treasures. Tourist shops and chain clothing stores are open, but missing are the groceries, cafes and butcher shops that once bustled with life and for centuries defined small-town France.
Measuring change, and decay, is not easy in France, where beauty is just around the corner and life can seem unchanged over decades. But the decline evident in Albi is replicated in hundreds of other places. France is losing the core of its historic provincial towns — dense hubs of urbanity deep in the countryside where judges judged, Balzac set his novels, prefects issued edicts and citizens shopped for 50 cheeses.
In January, I went to Albi while covering the French presidential election. I’ve known the city for nearly 35 years, visiting a handful of times as part of a lifetime’s engagement with France that began at age 4 when my family moved to Paris. My first trip to Albi came in 1982, with my college girlfriend, and I found a bustling, jewel-like city that took its ochre-red color from bricks that had been used since the Middle Ages and echoed the hot, meridional sun. I was captivated.
I returned in January not on the trail of a presidential candidate but to better understand a French paradox just beneath the surface of the campaign: the deep pride felt by the French in what they regard as an unparalleled way of life, always accompanied by anxiety that it is facing extinction.
The campaign is like few before it in France, because of the looming question of whether the far-right candidate, Marine Le Pen, will do the once-unthinkable, and win. She has already pushed the discourse rightward and made a visceral promise to voters: to protect not just France, but Frenchness. Whether the menace is defined as Islam, immigration or globalization, her vow to voters is the same: I am the woman to preserve the French way of life.
The visible decline of so many historic city centers is intertwined with these anxieties. Losing the ancient French provincial capital is another blow to Frenchness — tangible evidence of a disappearing way of life that resonates in France in the same way that the hollowing out of main streets did in the United States decades ago. A survey of French towns found that commercial vacancies have almost doubled to 10.4 percent in the past 15 years. As these towns have declined, voters have often turned sharply rightward. Albi is traditionally centrist, but the same conditions of decline and political anxiety are present, too.
Turn a corner in Albi, and you’ll pass the last school inside the historic center, abandoned a few years ago. Down another street is the last toy store, now closed, and around a corner is the last independent grocery store, also shuttered. Walk down the empty, narrow streets on some nights and the silence is so complete that you can hear your footsteps on the stones.
“If nothing is done, a substantial part of the French soul will perish, taking with it more than half the French population,” the businessman Charles Beigbeder wrote in Le Figaro recently, calling for a “Marshall Plan” for “peripheral France.”
A Way of Life Fades
I arrived in Albi, population 49,000, on a Thursday evening, having driven in from Toulouse, an hour away. At the edge of town, I passed a giant shopping center, Les Portes d’Albi, where the parking lot was black with cars. In the Albi I had known before, people had lived in town above their stores. Centuries of accumulated living were packed inside the tree-shaded boulevards. Shopping was as much about sociability as about buying.
Before arriving, I picked up a government report, an autopsy of many French provincial capitals: Agen, Limoges, Bourges, Arras, Beziers, Auxerre, Vichy, Calais and others. In these old towns, many harder hit than Albi, the interplay of the human-scale architecture, weathered stone and brick, and public life had been one of the crucibles of French history and culture for centuries. Now they were endangered, as even the dry language of the report conveyed that an essential part of French life is disappearing.
“This phenomenon of the devitalization of the urban centers is worrisome,” the government report declared, “as the stores contribute so much to city life and largely fashion it.”
My first appointment was with the town whistle-blower, who had agreed to give me a tour. Florian Jourdain wasn’t exposing local corruption but the decline of the town that was hidden in plain sight. His meticulous blog, picked up by the French press, caused such resentment among Albi’s commercial establishment that last year the merchants’ association staged a demonstration against him in the main square.
With a degree in history and studies in geography, Mr. Jourdain published an online map, with a skull-and-crossbones marking each vacant store. He discovered that nearly 40 percent of the remaining shops sold clothes, and he suspected that much of the trade was with tourists. Only a single traditional boulangerie, or bakery, remained in Albi’s old core, and not a single free-standing butcher shop.
A Parisian by origin, Mr. Jourdain worked quasi-undercover, and few in town, even among his allies, seemed to know his last name. I met him on a Friday morning in the windswept plaza of the looming Cathédrale Sainte-Cécile, a giant brick fortress built eight centuries ago to awe the region’s restive heretics. As we started on the Rue Mariès, the city’s main commercial street, Mr. Jourdain pulled his hood down over his head to avoid being recognized, as I struggled to mentally repopulate the empty street with the liveliness that had delighted me 35 years before.
“For me, if you are precise, you can’t be attacked,” he said of his work. “It’s a big problem for me that there are no grocery stores in the center of the city. There is no neighborhood cafe.”
Street after street, we took the measure of the town’s fragility. Name tags were missing from buzzers at the doorways of the old buildings. Above them the shutters stayed closed night and day, with estimates that 15 percent of these old houses are vacant.
Mr. Jourdain knew something was amiss soon after arriving from Paris in 2013. “Right away I realized it,” he said. “Just across from us, and right next to us, there were two magnificent buildings, vacant. I thought it was strange. And then I started to see more and more empty stores.”
We came to the Place Lapérouse, named after the great French explorer who was born in Albi in the 18th century. I had a flashback. On a warm afternoon many years before, I sat on a bench here, gazing at the old buildings around me. It had been quiet enough to hear the birds in the centenarian plane trees shading the square.
Now, it was a frigid intersection combined with a soulless pedestrian plaza. Cars whizzed past.
We moved on, passing two storefronts with “total liquidation” written across them. The sense I had many years before, of a dense urban space that was a living, breathing organism, was gone.
“Look, here, this used to be a cafe,” he said, pointing to a woman’s clothing store where the faint remains of a traditional cafe awning were still visible.
Mr. Jourdain spoke with the fervor of a disappointed suitor. He had moved to Albi to embrace its beauty and to escape the clamor of Paris but instead found a creeping listlessness. He saw his role as waking up his fellow citizens. “The risk is great for our beautiful episcopal city,” he wrote in his blog.
We moved on to the empty Rue de la Croix Blanche. Again, we were the only walkers, passing a line of closed stores. On the Rue Puech Bérenguier we passed the last grocery store. On the Rue Peyrolière we saw the abandoned elementary school, closed in 2013, a classic Third Republic building where generations of Albigeois were educated. On the wall inside, a children’s drawing from the last class was still visible.
“The cries of children will resound no longer,” the local paper, La Dépêche du Midi, wrote when the school closed.
In former days, the covered market, the Marché Couvert, would have been a hub of life and commerce. No more. “You feel as though time has been suspended,” Mr. Jourdain said.
Hours had passed on a sunny Friday in the center of town, yet on some streets we saw almost no one. “You see clearly that we are on a street that is dying,” Mr. Jourdain said on Rue Emile Grand as we concluded our tour. “There are whole buildings where there isn’t a soul.”
Leaving City Centers Behind
The next morning was a Saturday, the busiest shopping day of the week, with shops promising sales and customers inside the clothing stores. There was a hint of the liveliness I had remembered from many years before, but these were weekend shoppers, many from out of town.
I went to see Fabien Lacoste, a Socialist city councilman, in the shadow of the cathedral. As on most Saturdays, he was at work, flipping crepes at his outdoor food stand.
To him, Albi’s fate was a cultural misfortune. City leaders had poured money into a high-concept modernistic new culture center at the town’s edge. And the shopping mall had been built. Large grocery chains, called hypermarkets, had also been constructed outside the city, with free parking. It is not that Albi no longer had commerce, or activity. But the essence of the ancient city was being lost.
The rise of the shopping centers traced the sharp rise in living standards brought on by what the French call the Trentes Glorieuses, the 30 glorious years from 1945 to 1975. Growth was around 4 percent; purchasing power of the average worker’s salary rose 170 percent. The boost to consumer demand could not be met by the old center-city structure of small shops, small purchases. Malls and strip centers were born.
Today, France has the highest density of such retail space in all of Europe, even as vacancies in 190 historic town centers have gone to 10.4 percent in 2015 from 6.1 percent in 2001, according to the government report. Thus, the French paradox: a newly consumerist society that had stripped France of its “soul” — made even worse, now, by the fact that economic growth has collapsed.
“There’s no bar, no cafe. We’re in the southwest, for heaven’s sake. It’s a scandal,” said Mr. Lacoste, serving up crepes to his customers. “We’ve lost that conviviality that was our signature. Before, each little neighborhood had its own center, with its own cafe. All that has disappeared.”
“What I deplore is this devitalization,” Mr. Lacoste added. “You won’t be doing your shopping here.”
By Sunday, Albi had reverted to its weekday torpor. I went for my evening run along the green Tarn river and passed a half-dozen people at most. In the twilight the town felt abandoned.
I finally caught up with the head of the merchants’ association just as he was leaving his supermarket. He did not seem pleased to see me and was even less pleased with Mr. Jourdain. “There are town centers where the situation is much more complicated,” he said.
My last interview before leaving town was with Eric Lamarre. Last year, he closed Albi’s last toy store. “Twenty years ago, the center of town was still animated,” he said. “People really came to town to buy. There were loads of lovely things. It buzzed with people.”
The big shopping center opened in 2009, and his business declined until the end, when he was losing 50,000 euros (about $53,000) a year.
“It’s a political problem,” he said. “These towns have been had. They always say yes to the shopping center developers.”
Albi, he said, “is still a magnificent city — for the tourists.”
It is the 1970s in Hong Kong, and you are eleven years old. Early one evening, you go out to a nearby neighborhood for dinner with your family. A five-minute walk from your primary school, it is also a place you frequent with your friends. The food here is good and especially renowned for its fishball noodle soup, which is what you always get. You’ve been here so often that navigating the subterranean corridors to the noodle stand is easy, and you know where to step to avoid the ceilings that drip the most. Your bowl of noodles arrives and you slurp them down, unaware of the fact that over the next couple of years this very neighborhood will peak in its population and its infamy, and remain even decades later as one of the most remarkable social anomalies in recent history.
At its peak, the Kowloon Walled City was home to 33,000 people in just two hectares of land—the size of about two rugby fields—making it the densest place on Earth at the time. It was a hastily put together conglomerate of tiny apartments, one on top of the other, caged balconies slapped onto the sides and connected through a labyrinth of damp, dark corridors. All the while, the rest of Hong Kongwent about as normal, seemingly unaffected by the crime and squalor within the Walled City.
This unique society and its complete neglect by the rest of Hong Kong was born of the equally unique political conditions of the Kowloon site. Initially a Chinese outpost for the salt trade during the Song Dynasty (960AD–1279), it was later turned into a military outpost with an added coastal fort in the 1800s. When China lost to the British in the first Opium War, Hong Kong was ceded and officially handed over in 1842. However, the Kowloon site was an exception, with the British allowing the Chinese to stay at the site as long as they did not politically interfere. China went on to fully reclaim the ownership of the Kowloon site in 1947, but its separation from the mainland meant they did little to enforce laws, while Britain also went with a “hands-off” policy. Free from both sides of the law, squatters soon flooded in, and so began the legend of the Kowloon Walled City.
By 1950 the population had grown to 17,000. People moved to the Walled City out of bankruptcy, lack of choice, and to either flee or exploit the lack of law. Construction proliferated alongside population, a truly modern vernacular free from any building regulation or code. Within the darkness of the Walled City, crime, unregulated businesses (everything from opium dens and brothels to plastic bags and spring rolls) and family life went on day after day.
It wasn’t until 1984 that both governments decided the Walled City had become enough of a backwards embarrassment and eyesore that they had to tear it down. In 1992, residents were evicted and given monetary compensation, and the site was converted into a public commemorative park.
Despite my many, often lengthy, trips to Hong Kong, I have never visited the park. It is not a well advertised or well heard of tourist attraction, nor is it a place of local pride. In fact it was from the mouth of a Swede that I first heard of the Kowloon Walled City and each time since then that the Walled City has come up, it has been from Caucasian commentary. In my urban design paper, the Kowloon Walled City was brought up as an example of a “slum” that showed the consequences of the lack of building regulations. There was no mention of the delicious bowls of noodles one could find there. Rather, the Kowloon Walled City is in conversation usually described as “post-apocalyptic,” “scary” and “crazy.”
Compare this to the way in which my dad talks about the city—a smirk broke across his face as soon as the name was mentioned, and I was surprised to learn that his primary school was just next door from this “crazy” mass of drugs, gangs and crime. In fact, most of our conversation focused on the food that you could find there. He describes the place as “very special,” both as the only place in Hong Kong that went unaffected by British rule and as a unique community in itself. He went on to describe the physical environment of the place, with an energy that I have only otherwise seen during one of his jam-making frenzies. Smiling, he recalled the constant dripping of water leaks everywhere and the surreal disappearance of the sky once you entered. He also went on about the many unregulated businesses there, with special mention to the many unlicensed dentists that could operate liability-free, and also the dog meat stalls, which found success while canine cuisine was illegal in the rest of Hong Kong.
He admits that he knew of people being mugged and that people generally avoided the place after dark, but otherwise my dad complimented the Triads on their organization of the Walled City. Acting as a de facto city council (albeit one funded by drugs and enforced through violence), the Triads organized a volunteer fire brigade and rubbish disposal, and resolved civil conflicts, particularly those between competing businesses.
The way my dad speaks of the Walled City, with something approaching pride, gives a very different impression to its popular depiction—it is much easier to tell a story of depraved lifestyles in a dark maze of inhumane living conditions. This isn’t to say that this wasn’t the case, but rather that this wasn’t the only story that the Walled City had to tell.
A documentary on the Walled City chronicled this complexity firsthand. Filmed by an Austrian with English subtitles, the 1980s film gives an intimate look at life in the Walled City. We meet a breeder of illegal racing pigeons (an alternative to betting on horses), a kindergarten, and even a Triad-funded pensioner. All these stories, however, are set against a dark, dim architectural backdrop. It is a strange experience—harrowing English subtitles that compare the people to “the dead rats nobody takes umbrage at,” but their attempt at shock-horror is heckled by the background Cantonese, with children wittily mocking the camera crew. This, perhaps, best represents Hong Kong—scary from the outside, but energetic normality within.
While it would be false to say that the documentary makers were exaggerating the extent of the squalid conditions, poverty and cramped spaces, these qualities are only striking in their intensity—not at all in their absurdity. In fact, the most Louis Theroux-ish thing in the whole documentary is an English missionary who resides in the Walled City, curing heroin addicts through her “spiritual touch.” The rest of the picture is grossly inhumane, yes; but illogical, no. Given the conditions and consequences in which the city was conceived, and its complete neglect, it could have turned out a whole lot worse.
The surprising liveliness and community of the Walled City shows that when free from law and liability, things aren’t going to be that great, but they do not have to be an entire failure. When the Kowloon Walled City was torn down by outside forces, many of its residents were dissatisfied with their eviction and not even financial compensation restored the community they left behind. Many, years on, even when fully resettled into the rest of Hong Kong, look back to their days in the Walled City as a “happier time.”
When still under British rule, it is important to remember that the Kowloon Walled City was not the only place of such density in Hong Kong. Contemporary to the Walled City were other urban squatter settlements, also ad hoc conglomerations but only of one storey, and roomier with just 4900 people per hectare—about 2 square meters per person. The settlements sprang up from the population boom of the 1950s, when Chinese refugees fled into the city following political turmoil in the mainland.
After their family land was taken and relatives killed, both my dad’s mother and my mother’s mother were such refugees, and they both experienced some time in informal settlements upon arriving in Hong Kong. They were both lucky, however, and were soon able to settle into more comfortable and stable conditions, helped by the government’s public housing schemes. With this ancestry, and my own upbringing as a Hong Kong-born New Zealand citizen, it irks me to see the persistent fascination with the current density, of housing in particular, in Hong Kong. While physically long gone, the shadow of the Walled City and its colonial conception remains. The multiple photography series, gawk-tourism, and critique of the city’s never-ending apartment towers has not-so-distant roots to the outsider curiosity that drew British colonials to the Walled City as a tourist attraction in its early days.
The common, lazy judgement thrown upon unfamiliar cultures is everywhere. Online, in conversation, and even from university tutors, I have come across phrases like “how can people live like that” and “so crazy how cramped it must be” in regards to small living spaces in Hong Kong and other South East Asian metropolises. Often these phrases are followed by a smug thankfulness that they themselves not have to live in such “terrible conditions.”
My grandmother has, from her arrival into Hong Kong to the current day, lived in public housing. These towers are the most ubiquitous building form in Hong Kong, largely identical and replicated over and over across the city, often painted in pastel for both differentiation and a “happy” aesthetic. There are over 680,000 apartments across 160 public housing estates, with 15,000 more apartments built each year.
Just as with the Walled City, there is rarely any mention of the lives within the towering walls nor the delicious bowls of noodles. Photos of these seemingly endless modules disregard and crop out any sense of thought behind the buildings, ignoring what have in fact been decades of design evolution and an increasing quality of public housing. The average living space has changed greatly over the years, and current legislation makes site-specific considerations, sustainable implementations, thoughtful interior and master planning mandatory.
The Kowloon Walled City’s lack of prominence in Hong Kong itself is not due to political embarrassment, but because it is culturally unremarkable. Today, problems often associated with density, such as crime and sickness, are not notably prevalent in Hong Kong. In fact, crime rates are low on an international scale, and the city has the world’s fourth-lowest rate of infant mortality and also fourth-highest life expectancy. Intimidating and eerie from the outside, dedicated public housing allows even Hong Kong’s elderly to stay self-sufficient.
Density will always be a fact of life in Hong Kong, manifested to its extreme in the Walled City and resolved in public housing today. The city’s cultural apathy toward density sees it excel in other forms—but in the shadow of the Walled City, those without access to public housing still face squalor. The quarters given to the populous domestic maids really are too small, and immigrant housing is an increasing concern, with people renting out taped-off sections of rooftops for residency.
If the energy of young designers in both Hong Kong and abroad were focused less on criticizing places that are actually doing fine, there are real urban and social problems in Hong Kong that are currently, like the Walled City once was, being neglected.
“Sidewalk Salon: 1001 Street Chairs of Cairo is a portrait of the capital of Egypt as seen through the lens of the thousands of curious chairs that dot the sidewalks of Cairo.
With a documentary photographic approach, the project seeks to present the creative practices of design that occur on the sidewalks along with the unplanned interventions in the public space that give Cairo its distinctive character.
“I’ve seen Kelly Ripa there. Two little kids were playing with Legos on the treadmill next to her, and there was nobody else.” — NYT
If you thought China or Dubai are the only places where you enter a multi million dollar condominium just purchased for that unruly son / daughter or a mistress, or laundering money.., hold on… Why is that all sold out prime luxury condo building in New York only occupied 10% with concierge, room service and all?
Mexico City is a giant laboratory of urban morphology. Its 20 million residents live in neighborhoods based on a wide spectrum of plans. Here are some examples.
The colonial center (above) was built on the foundations of Tenochtitlan, capital of the Aztec empire. The old city was on an island in Lake Texcoco. The lake was drained to prevent flooding as the city expanded.
Geometric plans dominate throughout Mexico City. The Federal neighborhood (above) evokes the radiating streets of Palmanova, a town designed by Vicenzo Scamozzi in Renaissance Italy.
Nezahualcóyotl (above), or Ciudad Neza, is a municipality of one million people within Mexico City’s metropolitan area. Its street plans follow a standardized layout — public amenities with green space confined within mega-blocks.
The rich and famous tend to prefer organic forms, and tend not to economize on water for their gardens. In the wealthy neighborhood of Jardines del Pedregal (above), some houses have heliports.
Planners chose a repetitive style for their unfortunate clients in Fuentes de Aragón (above). This neighborhood is part of Ecatepec de Morelos (below), which — like Ciudad Neza — is a municipality within Greater Mexico City. The entire city doesn’t follow an extreme grid, but neighborhoods like Fuentes de Aragón are common.
In recent years, Mexico’s federal government has invested substantially in housing for the poor. Its programs, such as those beautifully photographed by Livia Corona, have rehoused over two million families in massive developments like Los Héroes Tecámac (below) in Ecatepec de Morelos.
Modernist planning is still alive in Mexico, where planners appear to have substantial power in society. The challenge of resettling so many families in so few years has been solved through standardization. Many new settlements resemble enlarged microchips.
Other developments — like Geovillas Santa Bárbara (above) — have curved streets and more diverse layouts, but they are usually for higher-income populations.
The social dynamics behind urban growth in low-income areas are complex, and self-made construction is the rule. Very few public or private initiatives strike a balance between top-down and bottom-up housing development. Instead there are extreme disparities between the two.
Street markets under red canopies show up frequently in satellite images of Mexico City. The market above is in Xico, another municipality within the metropolitan area.
Xico is bordered by Chalco Lake (above) and the Santa Catarina Mountains (below). Here, urban development takes place without much formal planning. Green space and public amenities seem a luxury.
There is a real need for a new approach to urban development — one that empowers informal communities without imposing insensitive planning from above, addressing the roots of urban poverty instead of formalizing it.
The human imagination has been technologically transformed in the past century. Not only have the channels through which we communicate been fundamentally reshaped, but the content of what we are saying has changed. New media––new tools for speaking––create new forms of expression. With pocket-sized phones, our voices can be heard across oceans. On the web, we can videochat with friends on the opposite side of the Earth. The once insurmountable communicative barriers of time and distance are now afterthoughts. We are annoyed when our intercontinental Skype conversation freezes. We expect websites to load in less than two seconds.
Space Hacking is a short series exploring the always-rising layers of self-expression in contemporary society
Technology and urbanization have collapsed the distances dividing people and cultures. As populations flock to big cities, many of us now literally live on top of each other (in high rise apartments). And this physical densification, provoked by an expanding web of instantaneous worldwide communication, is reflected in the ways we think and express ourselves.
Today’s urban spaces are the increasingly dense products of interwoven human expression. Even our ‘natural’ spaces (parks, beaches, gardens) are landscaped: manipulations of nature rather than anything truly wild. Having become immersed in society’s manufactured products, our imaginative resources – the raw materials of thought – have already been designed and built. It’s no wonder we are a ‘remix culture.’
Space Hacking is a short series exploring the ever-rising layers of self-expression in contemporary society: the communicative skyline that shifts and expands even faster than the physical profiles of our cityscapes. What we often hear as a single voice is really the mingling of many. Load bearing walls have become art galleriesand marketing platforms. Old LPs (records of music) are themselves now musical instruments. Some see sidewalk curbs and park benches; others see playgrounds.
The contents of the city – to a space hacker – are the building blocks of self-assertion. But what does it imply about our notions of individuality when those blocks have already been built, and are already assertions?
By Tuan C. Nguyen From Smartplanet was this and intimation of the life of cities to come – Blade Runner without Harrison Ford?
For residents of Kowloon Walled City, life was anarchy.
As many as 50,000 residents, many of which were squaters, were crammed into the 6-acre settlement that once served as a Chinese military outpost. And while the British claimed jurisdiction of the town in Hong Kong after a handover in 1898, the city was largely left alone.
Without health regulations or law enforcement, the community, which comprised of 350 densely packed high-rise buildings, served as a refuge for drug dealers, criminals and gangs. In time, the virtual absence of government oversight lead to a society ruled by powerful mafiosos known as Triads.
By the 1950’s, the city became an epicenter for triad-controlled brothels, casinos, and opium dens. Even the neighborhood doctors and dentists were shady, with many unlicensed practictioners choosing to set up shop locally so that they can operate without fear of prosecution. If the police ever did venture inside, it was only in large heavily armed groups.
Still, reports and testimonials indicate that generally the locals lived peacefully. Photos published in the book “City of Darkness,” which chronicled life within the city, showed children playing on rooftops not too far away from adults taking in the fresh air high above the constant buzz of illegal activity. In fact, the city’s rooftops actually served as an important gathering place, enabling nieghbors to bond and help one another endure the miserable conditions.
That’s because even from such a remote viewpoint, the squaler was unavoidable. Dwellings were built entirely without the help of architects and many apartments were so small (about 250 squre feet) that garbage, TVs, water tanks were stored on rooftops. The lack of building codes and regulations also meant homes had poor foundations and few or no utilities. Outside, the network of staircases and passageways on the upper levels was so extensive that pedestrians can cross the entire city without ever touching solid ground.Conditions improved in the 60s and 70’s when a police crackdown led to over 2,500 arrests and the confiscation of over 4,000 pounds of drugs. Charities, religious societies, and other welfare groups were gradually introduced and the Hong Kong government began to provide water supply and mail services.
Despite these efforts, Hong Kong officials decided in 1987 to demonish the city, athough many residents resisted the forced evictions.
However, by April 1994, Kowloon Walled City was no more.
I walked through the bustling gullies of old Delhi, from Chandni Chowk to Jama Masjid and then to Ballimaran. This area was part of the walled city of Shahjahanabad founded by the Mughal emperor Shahjahan, who built the Taj Mahal. The city was a symbol of Mughal cultural and architectural wealth. In 1857, during the first armed revolution against British rule, soldiers destroyed 80 percent of the palaces here.
Today, the area is crowded with rickshaw pullers, kebab sellers, biryani makers, goats and a few cows. The dynasties are gone; the nobility has vanished. What remains are dilapidated buildings, and dangling serpentine electric cables.
Among the poets and artists that the last Mughal emperor, Bahadur Shah Zafar, assembled at his court was the great Urdu and Persian poet Mirza Ghalib. In a letter to a friend in 1861, Ghalib wrote:
The city has become a desert… by God, Delhi is no more a city, but a camp, a cantonment… No fort, no city, no bazaars, no watercourses… Four things kept Delhi alive – the fort, the daily crowds at the Jama Masjid, the weekly walk to the Yamuna Bridge, and the yearly fair of the flower-sellers. None of these survives, so how could Delhi survive? Yes there used to be a city of this name in the land of Hindustan.
I intruded into the fallen minarets, libraries and palaces of a bygone era, asking myself: Delhi, where shall I find you?
Aslam Saiyad is an animation instructor and freelance photographer from Mumbai, India. He also volunteers for the Borderless World Foundation, a non-profit organization that works with children in conflict areas.
Not all urban photographers are o voyeurs of poverty – journeying to Khayelitsha or crossroads in Cape Town on a “reality tour” some provide values that go beyond the simplistic snapshots of barefoot children and cardboard and corrugated iron shacks – this post by Katia Savchuk in[polis]
In reflecting on how to better portray a city through photographs, I am inspired by the work of Brendan Bannon, a Nairobi-based photojournalist that I interviewed for an article on ethical travel photography. Tired of photographing only refugee camps and health crises for his editors, last April he put out Daily Dispatches to paint a fuller portrait of Nairobi. His warm, quiet photographs are brimming with dignity — you don’t realize how skewed the typical portrayals of African cities are until you see his counterpoint.
STEFAN WEHRMEYER, a 23-year-old German programmer, has developed a Google Maps application called Mapnificent (harhar). It’s pretty cool: it shows you the places in your city that you can reach in a given amount of time using public transport. This does not yet work in South African Cites , but is still an interesting application of already existing cloud network i.e. Google Maps and the programming API has lots of potential for creating your own applications
This essay is a virtual collaboration with Ana Maria Manzo, a Valencia, Venezuela architect who frequently writes in English and Spanish at the place of dreams and el lugar de los sueños, respectively. Although we have not met, we were compelled — by shared and determined optimism during a time of upheaval in certain world regions — to combine perspectives on how best to read urban evolution.
The evolution of place is far from a linear process. Rather, it is an interactive story which features the blending of many dimensions.
Time, of course, creates new and old approaches to the look and feel of habitation, workplace, and the transportation routes between. The elements of water and land interface and interact, sometimes together, with the built environment. Climate drives seasons and forms of building, access and the manipulation of light. And cultural approaches to ownership and stewardship modify these responses to climate, and create alternative forms of building on the ground.
Today, we are driven by a new sustainability ethic, necessarily systemic in scope. Carbon-neutrality is a commonly stated goal, and location efficiency, clean energy and the return of neighborhood are the watchwords of change. Formulas, metrics, and new regulatory systems attempt results, and show the quest to measure how close we are to achieving ideal forms of location and development.
But as both of us have written in different languages, context is key, and adaptation to a multi-environmental sense of place, associated imagery and sensation is an essential element of building design, urban development and innovation going forward.
Creating attractive buildings that are able to work for the environment, or crafting appropriate enabling regulations, should also be considered as part of a broader, holistic effort. There is no use in having architects, urban planners, developers and lawyers thinking in isolation about a better future.
This should be a movement of us all; a movement that evokes positive emotions in those who inhabit cities, and a movement which makes us dream.
What forces shape the look and feel of place? Above, the context of a water-oriented urban skyline in modern America (Seattle) compared with today’s view of biblical legend, adjacent to the “Valley of Death” (Silwan, East Jerusalem). Note the stark contrast created by available building space, history and the local ecology of water. (more…)
Urban Earth, with studies in Mumbai, Mexico City, and London: Their approach:“walking across some of Earth’s biggest urban areas, to explore their spatial realities for the people who live there and challenge dominant media discourses regarding the places in which most of us now live. The idea is to walk a transect across an urban area, taking a photograph every ten steps.” (84)
The concept reminds me of Christopher Girot’s essay ‘Vision in Motion’ in the Landscape Urbanism Reader (Waldheim, 2006), on the role of new representational techniques and the ability to document the interstitial, non-destination spaces, echoing Conan, the ‘black holes’ in the urban fabric that “…have become the dominant feature of peripheries and urbanized countries… need to consider these long non-entities as probably equally significant as the most celebrated vistas…”(Waldheim 2006, p.100)
Each frame becomes a story which is fascinating on it’s own although nothing you would typically document in the day to day. Here’s a random image of London from their Flickr stream…
And the transect is also interesting as an experience, alluding to Girot’s new representational techniques, as seen in this great video of the stitched together for Mexico City:
Nicola Twilley of edible geography has posted this piece of the invisible city below out feet and under our radar- along with the people who keep it ‘flowing’ – I wonder who these people are in our city ? We should put their names up on a pedestal and thanks them, whereas they are probably considered dirty and untouchable :
IMAGE: Rob Smith, suited up and ready to descend into London’s sewers. All images in the post are screengrabs from The Guardian’s video.
Rob Smith rejoices in the glorious job title of head flusher at Thames Water, the water supply and sewerage utility that serves Greater London and much of the South-East. Last month, The Guardianfollowed him down into the sewers beneath the city, and the resulting video is well worth a watch.
Descending into the city’s bowels in Northumberland Street, just off the Strand, Rob tells The Guardian that he has experienced needle-stick injuries, and once found a hand grenade in the high-level sewers, but, on the whole, “It’s a nice working environment.”
A different way of surveying the cities layers brings to light stark contrasts and sinister implications from Edible Geography by Nicola Twilley
IMAGE: Edible Geography’s new logo, designed by Nikki Hiatt.
If I had to describe my aspirations for Edible Geography, I could do a lot worse than this, borrowed from a post at InfraNet Lab aboutFoodprint Toronto in which Lola Sheppard redefines the role of the architect:
A cultural, environmental and spatial detective, bringing to light the forces (economic, cultural and environmental) at work within a given geography, and the physical networks at the service of these forces.
The detective analogy is certainly appealing: I started Edible Geography in the hope of using food (in the broadest possible sense) to reveal something hidden, unexpected, or new about the world in which we live. Meanwhile, I appropriated from the discipline of geography the same idea that Lola is proposing for architecture: that both the physical landscape and the social and metaphorical world can be analysed through the (food-related) forces that shape and are shaped by them.
For the most part, that exploration is motivated by curiosity for its own sake — the same desire to see the world through fresh eyes that also inspires me (and others with the time and opportunity) to read books, visit exhibitions, travel, or make things. But I also believe that these novel perspectives can yield insights that help us to design better systems, cities, spaces, and lives. The following story is one of my favourites because it demonstrates both processes: it offers a new way of understanding the city and a speculative intervention based on those observations.
I have always reflected upon how blind people see through sound. Weeks ago, my little boy stuck his tiny finger in my eye, scratching the cornea, and I had to keep my eye patched and closed for 48 hours. My left eye soon tired of working for both, so I stayed home to rest.
With my eyes closed, my brain filled with images: memories randomly evoked by sounds. The experience reminded me of reading Proust’s À la recherche du temps perdu and his famous madeleine.
Posted on The Economist website recently this interview “Up from the ashes”
” YVES MARCHAND and Romain Meffre, two self-taught French photographers, have always been fascinated by ruins. After seeing photos of the formerly prosperous North American town of Detroit in 2005, they realised it would be a perfect place to work.
Detroit was one of most important American cities in the 20th century. But over the past generation it has suffered perhaps the worst economic downturn of any American city. Schools, libraries, theatres hotels and concert halls that were once sources of pride now stand empty and unloved. Some are being torn down, others are merely crumbling with neglect. Others still, especially in the downtown area, have been purchased by millionaires with plans for renovation, but the process has been a slow one.”
Yet Detroit is slowly rising from its ashes. Marchand and Meffre say there are plans to convert quite a few of the downtown buildings into lofts and luxury condominiums in the next ten years. But parts of the city are clearly breathing their last gasp. Marchand and Meffre’s book “The Ruins of Detroit“, originally a series for Time magazine, records the lost city of Detroit for posterity. The two photographers spoke to More Intelligent Lifeabout their inspiration for this book.
Some people’s handicaps a make them unbelievable – why we need to provide more spaces in the city for people to display their skills: : From Protein
“Las Vegas-based Aaron ‘Wheelz’ Fotheringham is 19 years old and can do handplants, backflips, front flips…all while being in his wheelchair. Born with Spina Bifida, i.e. a birth defect of the spin hasn’t stopped him shredding mega ramps as part of the Nitro Crew. If anything, he’s running them. Unit Clothing have made a nice little film about Wheelz, which you can check out below”
“Unit, one of the world’s fastest growing action sports brands, has just released a six-minute mini-documentary on one of their star athletes, Aaron “Wheelz” Fotheringham.
Wheelz, 19, has obtained a cult following globally for his antics with the Nitro Circus Live Tour after successfully landing 40ft Backflips, Double Backflips and Front-flips in the past six months… in a wheelchair.
The Las Vegas teenager is one of the most inspirational athletes in the entire action-sports industry; he hasn’t let spina bifida dictate his lot in life and has taken his custom-built wheelchair to places they’ve never been before, including skateparks, BMX parks and of course, the Giganta-Ramp.
Unit sat down with Wheelz during a recent trip to the USA and found out what makes the laid-back, humble teenager tick. Visit youtube.com/unitridersaus to check it out.
Following on from the successful Nitro Circus Live New Zealand Tour Wheelz is back in Vegas and preparing for the Nitro Circus Australian Regional Tour, which kicks off on March 9 at Albury’s Lavington Sports Ground.”
I am sure we have all been surprised by the effectiveness of Google Street View – I have used it to survey sites for projects saving time doing street front research at night when the “real” site was inaccessible and using it to locate where relatives live in London – the downside is that all the technology removes us from the sensory reality of the place – the place is more than just its “visceral image’ and without spending time and getting the feel of the place and its people we are falling into the trap of thinking we know a place from its image. Here is a different view of how we can see the impresions left by people o ntheir environment.
This week’s City Beautiful lets my current urban planner self wax nostalgic with my undergrad art history major self from so long ago – together we’re going to indulge in a little exploration of how cities, photography and geographic information collide into Google Street View. Street View objectively surveys a physical place for us, but the roving mechanical eye can't help but snap people and the marks they leave on their urban canvas. Let’s loo … Read More
A different kind of street art – urban displacement and social unrest have always been manifested in street art
This week's City Beautiful was inspired by photographs from Urbanphoto.net's story of a village in Hong Kong that had protested relocation to make way for high-speed rail infrastructure. With new buildings and infrastructure for expanding cities come human costs, which often go unheard (and sometimes uncompensated). Below are a few images from artists who perhaps didn't halt demolition, but did make some noise. –Amy Hong Kong – After two yea … Read More